

Maureen Mette, Soprano

Adam Flowers, Tenor
Rossini - William Tell Overture
The overture to the opera William Tell, especially its high-energy finale, is one of the most recognizable overtures in the classical literature. There has been repeated use (and sometimes parody) of this overture in the popular media, most famously for being the theme music for the Lone Ranger radio and television shows, and it is quoted by Dmitri Shostakovich in his Symphony No. 15. William Tell was the last of Rossini's 39 operas, after which he went into semi-retirement, although he continued to compose cantatas, sacred music, and secular vocal music.
Mendelssohn - Spring Symphony
The Symphony No. 4 in A major, Op. 90, is commonly known as the Italian Symphony .
The work has its origins, like the composer's Scottish Symphony and the orchestral overture The Hebrides (Fingal's Cave), in the tour of Europe which occupied Mendelssohn from 1829 to 1831. Its inspiration is the colour and atmosphere of Italy. The Italian Symphony was completed in 1833, and was first performed in London at a Royal Philharmonic Society concert. However, Mendelssohn remained unsatisfied with the composition and even wrote an alternate version of the second, third, and fourth movements. He never published the symphony, which only appeared in print after his death.
The joyful first movement, in sonata form, is followed by an impression in D minor of a religious procession the composer witnessed in Naples. The third movement is a minuet and trio, while the final movement (which is in the minor key throughout) incorporates dance figurations from the Roman saltarello and the Neapolitan tarantella.
Puccini - Love Scene from La Boheme
There is no greater or more beautiful example of Bel Canto Italian Opera than Puccini's dramatic and passionate La Boheme. The love scene from the end of Act 1 is one of the most performed duets in the operatic literature. In this scene there is a knock at the door, and Mimì, a seamstress who lives in a flat below, enters. Her candle has blown out, and she has no matches; she asks Rodolfo to light it. She thanks him, but returns a few seconds later, saying she has lost her key. Both candles are extinguished; the pair stumble in the dark. Rodolfo, eager to spend time with Mimi, finds the key and pockets it, feigning innocence. In two arias (Rodolfo's "Che gelida manina — What a cold little hand" and Mimi's "Sì, mi chiamano Mimì — Yes, they call me Mimì"), they tell each other about their different backgrounds. Impatiently, the waiting friends call Rodolfo, but, while he suggests remaining at home with Mimì, she decides to accompany him. As they leave, they sing of their newfound love. (Duet, Rodolfo and Mimì: "O soave fanciulla — Oh gentle maiden")
Respighi - Pines Of Rome
Pini di Roma (English “Pines of Rome”) is a 1924 work by Respighi, and is considered one of the masterpieces of the Roman Trilogy of symphonic poems along with Feste Romane and Fontane di Roma. Each movement portrays the location of pine trees in the city during different parts of the day.
The first movement, called "I pini di Villa Borghese", portrays children playing in the pine groves of the Borghese gardens. The music depicts children marching and playing. The second movement, "Pini presso una catacomba" has a more melancholic tune, representing pine trees close to a catacomb in Campagna. Lower orchestral instruments represent the subterranean feature of the catacombs. The two tenor trombones and the bass trombone chant like priests. The third part, a nocturne, "I pini del Gianicolo" is set at night, near a temple of the Roman god Janus on the Janiculum hill. Double-faced gods open large doors and gates, marking the beginning of a new year. A nightingale is heard, giving Respighi the opportunity to include real life bird sounds in his work, a feat unachieved before (the score mentions a specific recording that can be played on a phonograph). The final movement, "I pini della Via Appia", portrays pine trees along the great Appian Way. Misty dawn, A legion advances along the Via Appia in the brilliance of the newly-risen sun. Trumpets sound and the consular army rises in triumph to the capitol. There is an important part for the organ pedal.
The first performance was given under conductor Bernardino Molinari in the Augusteo, Rome, on December 14, 1924.